Paintings & Prints
Saturday 14th August at 10.30am
ONLINE ONLY SALE

Lots subject to normal VAT rules are marked in the text-only catalogue with a single asterisk character (*) or a single dagger symbol () to indicate a VAT added rate of 20%.
Lots subject to normal VAT rules are marked in the text-only catalogue with a single 'at' character (@) to indicate a VAT inclusive rate of 20%.
Lots subject to normal VAT rules are marked in the text-only catalogue with double asterisk characters (**) or a double dagger symbol () to indicate a VAT added rate of 5%.
Lots subject to normal VAT rules are marked in the text-only catalogue with double 'at' characters (@@) to indicate a VAT inclusive rate of 5%.
Lots marked in the text-only catalogue with a bullet character () are subject to the Artist's Resale Right Scheme.
Lots marked in the text-only catalogue with a small tilde character () are subject to the CITES Agreement.

1.      Norman Orr, Scottish (1924-1993), ink and watercolour of Ponies, signed and dated, framed under glass, 11 x 8cm 40-60
2.      Perth, a pair of 19th century colour engraved prints,, framed under glass (2) 20-30
3.      British School, rural scene with figure, oil on panel, unframed, 20.3 x 30.5cm 30-50
4.      Early 20th century School, coloured lithograph print,in a glazed frame, 13 x 15cm 20-30
5.      Ralston Gudgeon RSW (Scottish 1910 - 1942), Pigeons, gouache on board, signed and framed under glass, 30 x 24cm 70-100
6.      Sir Muirhead Bone, LLD (1876 - 1935), Glasgow University from Greenock dock, pencil drawing, signed and framed under glass, 22 x 15cm 50-70
7.      L.W. Fraser, (Scottish) a pair of Gun Dog pastels, signed and framed under glass, 15 x 20cm (2) 50-70
8.      Joseph Morris Henderson (1863-1936) coastal scene with figures, oil on board, signed, framed, 34 x 25cm 200-300
9.      After Johannes Bosboom, (1817 - 1871) Church Interior with figures, oil on board, signed, in an ornate gilt wood frame, 16 x 22cm 150-200
10.     A. Hess, a companion pair of oil on boards, signed, in moulded gilt frames, 16.5 x 12cm (2) 50-70
11.     Victor Hume Moody (1896 - 1990) 'Study for Jason and Medea on the Ship Argo', oil on canvas, signed and inscribed verso, 34 x 45cm 150-200
12.     Victor Hume Moody (1896 - 1990) 'Striding Model' oil on canvas board, signed, inscribed and dated verso circa 1957, 27 x 37cm 150-180
13.     Attributed to Victor Hume Moody (1896 - 1990) 'Venus chasing Cupid', oil on canvas, apparently unsigned, 30 x 40cm 120-150
14.     James Spence, RSW (SCOTTISH 1929 - 2016) 'Autumn Sky', watercolour, signed and dated 1989, framed under glass, 30 x 20cm 70-100
15.     Tom Hutcheson, RGI (SCOTTISH 1922 - 1999), 'Earth Scape in Ochre, Green and Red', mixed media, signed and dated '89, in a glazed frame, 18 x 14cm 200-400
16.     Jean Peddie, highland ponies, watercolour, signed, framed under glass, 33 x 24cm 30-50
17.     Elizabeth Ogilvy by Edith Mary Hanson, head and shoulders drawing, signed with initials and dated July 1935, framed under glass, 21 x 26cm 40-60
18.     John Guille Millais (1865 - 1931) 'Cromarty Firth' watercolour en grisaille on paper, signed and entitled, framed under glass, 38 x 22cm (a/f) 70-100
19.     Edwin Sherwood Calvert, (SCOTTISH 1844 - 1898), wooded landscape with sheep, watercolour, signed, framed under glass, 51 x 38cm 120-150
20.     William Miller Frazer, RSA, PSSA, (1864 - 1961) 'Children playing on a beach', oil on canvas, signed, in an ornate gilt frame with a Calton Gallery label verso, 35 x 25cm 300-500
21.     J.G Rennie, Braemar Castle, Aberdeenshire, watercolour, signed and framed under glass, 33 x 23cm 40-60
22.     J.G Rennie, Dunrobbin Castle, Sutherland, watercolour, signed and framed under glass, 31 x 22cm 40-60
23.     J.G Rennie, Culzean Castle with Ailsa Craig in the background, watercolour, signed and framed under glass, 46 x 32cm 40-60
24.     J.G Rennie, Balmoral, watercolour, signed and framed under glass, 40 x 28cm 40-60
25.     19th century watercolour of a Highland Funeral, possibly a Laird's funeral, with two pipers leading the procession, apparently unsigned, framed under glass, 35 x 25cm (a/f) 60-80
26.     Archibald Standish Hartrick, R.W.S., O.B.E. (1864-1950), 'The Basket Weavers' lithograph, signed in pencil, framed under glass, 45 x 34cm 30-40
27.     English School, hunting scene, oil on canvas, signed indistinctly, in a moulded gilt frame, 47 x 33cm 80-120
28.     John Cairns, (1840-1875) 'Auchmithie Shore - Forfarshire; oil on board, inscribed verso, in a gilt frame, 46 x 30cm 250-350
29.     R. Lewis Sutherland, (Scottish, fl.1890 - d.1932) 'Mallaig', oil on canvas, singed, in a gilt frame, 60 x 50cm 100-150
30.     Ivy Seright, still life of flowers, oil on board, signed and dated 1972, framed, 44 x 64cm 30-50
31.     Anthony Baynes, (1921 - 2003), 'Legend' oil on board, signed with initials, in a gilt frame, 49 x 39cm 50-70
32.     Violet Kemp, distant view of a bay and village, oil on canvas, signed, in a gilt frame, 50 x 40cm 60-80
33.     James McNaught, 'Pittenweem Harbour', mixed media, signed and dated 1965, framed under glass, 46 x 24cm 40-60
34.     The Prospect of Edinburgh From Ye North, a framed colour engraved print, in a glazed Hogarth frame, size overall 90 x 46cm 50-70
35.     Anthony Baynes (1921 - 2003), 'The Folly', oil on board, signed lower right, in a gilt frame, 37 x 76cm 80-120
36.     'Widgeon Alighting', a coloured Archibald Thornton print, signed in pencil, with a Trade Guild blind stamp, in a glazed frame, 47 x 34cm 30-40
37.     Arthur Dean, harbour village, watercolour, signed and framed under glass, 52 x 29cm 50-70
38.     W.L Leitch, 'View of the Clyde From Above Erskine Bay' a coloured print, in a glazed Hogarth frame, size overall 62 x 45cm 20-40
39.     B. Davis, fisher women, a watercolour, signed and dated 1905, framed under glass, 38 x 27cm 50-70
40.     The First International Foursome - England versus Scotland , played on Leith Links 1682, a coloured print, framed under glass, size overall 67 x 53cm 20-30
41.     Stephen Bone, (1904-1958)' 'Skye from Arisaig' gouache, singed and dated 1935, framed under glass, 34 x 24cm 400-600
42.     Lady Steele-Maitland, 'Reflections' oil on board, signed and framed, 45 x 35cm 50-70
43.     Harold Hitchcock (1914 - 2009), pastoral composition, wash drawing, signed and dated lower right with a monogram and dated 1967, 25 x 23cm 60-80
44.     Tom Campbell, wooded landscape with sheep, watercolour, signed,, framed under glass, 37 x 26cm 30-50
45.     Thomas ?, East Lothian from Westfield Bridge, oil on board, signed indistinctly and dated 1954, framed under glass, 39 x 32cm 50-70
46.     Sir James Lawton-Wingate (1846-1924), 'Easthaven by Arbroath', oil on board, signed and dated '84, framed, 28 x 23cm 100-150
47.     Adolf Humborg (1847-1913) Church interior with cardinal and two children, oil on board, signed, in a gilt frame, 25 x 32cm 300-500
48.     Florence Jamieson (1925 - 2019), 'Blue tulips' oil on board, signed with a monogram bottom right, framed and inscribed verso, 35 x 45cm 60-80
49.     20th century school, sketch of a lady by a balustrade, apparently unsigned, in an ornate gilt frame under glass, 12 x 19cm 40-60
50.     Valerie Sadler, SCOTTISH CONTEMPORARY, 'Gateway', watercolour of North gates of Caroline Park, Edinburgh, on West Shore Road Granton, signed and framed under glass, 30 x 21cm 40-60
51.     Daisy Harley, mountain path by a stream, oil on canvas, signed, in a gilt frame, (a/f) 49 x 59cm 60-80
52.     George A Smith, 'Morning Mist Aberdeen Harbour' oil on canvas, signed and framed, 75 x 65cm 100-150
53.     Dawson Murray, RSW, contemporary school triptych contained within a single frame, signed, size overall 102 x 51cm 60-80
54.     After Jan Davidz de Heem, still life with lobster and fruit, oil on canvas, signed, in a gilt frame, 68 x 90cm 300-500
55.     20th century school, West Shore, Pittenweem, gouache, apparently unsigned, framed under glass, 63 x 50cm 50-70
56.     20th century school, crucifixion, oil on canvas, apparently unsigned, framed, 60 x 75cm 50-70
57.     J. Robertson, lake and woodland scene with figures, oil on canvas, signed and dated, in a gilt frame, 80 x 60cm 80-120
58.     William Duthie, (1860 - 1919) 'Polperro', oil on canvas, signed and dated '89, in an ornate moulded frame, 50 x 65cm 200-300
59.     Contemporary School, rocks at the West Shore, Pittenweem, gouache, apparently unsigned, framed under glass, 62 x 50 50-70
60.     R MacDonald Scott, vase of flowers still life, watercolour, signed and framed under glass, 75 x 55cm 40-60
61.     J.G Rennie, castle scene, watercolour, signed and framed under glass, 35 x 25cm 40-60
62.     J.G Rennie, Borthwick Castle scene, watercolour, signed and framed under glass, 42 x 30cm 40-60
63.     J.G Rennie, Dunvegan Castle, Skye, watercolour, signed and framed, 42 x 30cm 40-60
64.     Dora Mitchell, (early 20th century school), 'Autumn', pencil and watercolour, signed, framed under glass, 37 x 37cm 150-180
65.     Dick Baillie, SCOTTISH, wooded landscape, oil on board, signed and dated 1945, in a moulded frame, 60 x 50cm 200-300
66.     John Bathgate, 'Glen Sligachan', acrylic collage, framed under glass, 40 x 50cm 50-70
67.     HTM Craig, Ayrshire coast, oil on board, signed and inscribed verso 1970, framed, 75 x 40cm 50-70
68.     Jean Irwin, 'Reflections, Mull', oil on board, signed, framed under glass, 59 x 49cm 60-80
69.     Dick Baillie, SCOTTISH, riverside dwelling, oil on board, signed and dated 1928, in a moulded frame, 60 x 50cm 200-300
70.     Walter Scott, a half length portrait, oil on canvas, inscribed verso Colvin Smith, in an ornate laurel leaf gilt frame, 62 x 75cm 200-300
71.     Graham McKean, 'Ship of Fools', coloured print, signed and framed under glass, 50 x 35cm 40-60
72.     Graham McKean, 'Desperado's', coloured print, signed and framed under glass, 50 x 35cm 40-60
73.     Graham McKean, 'The Kiss', coloured print, signed and framed under glass, 50 x 35cm 40-60
74.     Graham McKean, 'The Kiss II', coloured print, signed and framed under glass, 50 x 35cm 40-60
75.     Graham McKean, 'The Nightclub', coloured print, signed and framed under glass, 50 x 35cm 40-60
76.     Graham McKean, 'Shopaholic', coloured print, signed and framed under glass, 50 x 35cm 40-60
77.     Graham McKean, 'Back Shift', coloured print, signed and framed under glass, 50 x 35cm 40-60
78.     Peter Howson, OBE, SCOTTISH CONTEMPORARY, 'Road to Vitez', lithograph, signed and dated 94. numbered 2/50, framed under glass, 51 x 64cm 100-150
79.     Contemporary School, 'Speak No Evil, See No Evil, Hear No Evil' acrylic on canvas, apparently unsigned, framed under glass, 105 x 65cm 80-120
80.     Peter Howson, OBE SCOTTISH CONTEMPORARY 'The Negotiators', coloured screen print, signed in pencil, dated '90, entitled and numbered 1/50, framed under glass, 75 x 95cm 150-200
81.     William Woollard, 'The Highlander's Near Bo'ness' watercolour, signed and dated '92. framed under glass, 24 x 17cm 60-80
82.     George Taylor, 'Sketch', oil on board, signed, framed, 30 x 22cm 50-70
83.     James Wallace Orr (1907-1992) ARCA, 'The Last Snow of Winter'. watercolour, signed with an Aitken Dott label verso, framed under glass, 17 x 12cm 50-70
84.     William Marshall Brown RSA, RSW (Scottish 1863-1936) 'Cockenzie'. watercolour, signed and dated 1902, framed under glass, 24 x 18cm 200-400
85.     Marjorie J. Incledo, (1891 - 1973), a collection of watercolours, in card mounts but unframed, various sizes, largest 24 x 17cm (15) 80-120
86.     John MacWhirter, (1839 - 1911), a collection of sketches and engravings, in card mounts but unframed, various sizes - largest 15 x 9cm (11) 70-100
87.     Patrick, an oil on canvas board of two horses, signed, framed under glass within an ornate frame, 30 x 25cm 100-150
88.     Frank Cadogan Cowper (1877 - 1958), a collection of pencil sketches, in mounts but unframed, various sizes, largest approx 22 x 27cm (11) 150-200
89.     Rijsoord, (DUTCH SCHOOL) village street with a lone figure walking, oil on canvas board, signed, in an ornate gilt frame, 25 x 30cm 150-200
90.     Low marshland's with a single dwelling, oil on board, apparently unsigned, framed under glass within an ornate gilt frame, 30 x 20cm 100-150
91.     Nigel McIsaac (Scottish 1911 - 1995) 'The Rock on the Bran',oil on board, signed and dated '70, framed, 24 x 19cm 40-60
92.     Nigel McIsaac (Scottish 1911 - 1995), 'Trees by the Stream', oil on board, signed, framed, 24 x 19cm 40-60
93.     E. Longstaffe ( 1849-1912), 'Dargle near Bray', watercolour, signed with a monogram, framed under glass in a gilt frame, 15 x 25cm 70-100
94.     Still life of roses, oil on canvas, apparently unsigned, framed, 44 x 34cm 30-40
95.     James Heron (Scottish 1873-1919), Street Scene watercolour, signed, framed under glass, 34 x 24cm 40-60
96.     James Heron (Scottish 1873-1919), Anstruther Fife, watercolour showing the Memorial Free Church which was burnt and demolished in 1991, signed, framed under glass, 34 x 24cm
40-60
97.     James Heron (Scottish 1873-1919), Rural Pathway with Farmhouse' watercolour, signed, framed under glass, 36 x 22cm 40-60
98.     James Heron (Scottish 1873-1919), Pittenweem, watercolour, signed, framed under glass, 40 x 25cm (a/f) 40-60
99.     W. Ferguson, east coast coastal scene, oil on board, signed, framed, 35 x 25cm 50-70
100.    George Houston, Near Inverary, a coloured etching, signed in pencil, framed under glass, 26 x 19cm 20-30
101.    Douglas MacLeod, 'On the Tagus', 34 x 18cm, & 'Sunset - North Uist', 39 x 25cm, two etchings, both framed under glass, (2) 30-40
102.    After Hiroshige, 'On The Hill - Tokyo', a coloured woodblock print, framed under glass, 36 x 23cm 50-70
103.    Japanese woodblock print, framed under glass, 25 x 35cm 40-60
104.    Alma Wolfson (SCOTTISH b 1942), still life with glass goblet and fruit, gouache, signed, framed under glass, 21 x 19cm 80-120
105.    Edward Slowcombe (1850 - 1915), etching of a mother and child in a country lane, signed with pencil, framed under glass, 25 x 37cm 50-70
106.    Mid 20th century school, 'Skye', oil on board, apparently unsigned, framed, 43 x 27cm 60-80
107.    Eric Johnstone, a group of three watercolours of birds, signed and framed under glass, various sizes - approx 35 x 25cm (3) 80-120
108.    Richard Demarco CBE HRSA RSW SSA (SCOTTISH b 1930 - ) 'Two Streets, Picinisoo' Artist's proof coloured print,singed in pencil and dated 2005, framed under glass, 40 x 30cm 50-70
109.    Richard Demarco CBE HRSA RSW SSA (SCOTTISH b 1930 - ), 'Edinburgh From Arthur's Seat, 1969', Artist's proof print, signed and dated 2006, framed under glass, 40 x 30cm 50-70
110.    Mallek, a monochrome woodblock print of a sailor smoking a pipe and playing an accordion, signed, in a glazed frame, 34 x 38cm 30-40
111.    J. Couzens, red brick house and bridge with figures, watercolour, signed and dated 1956, framed under glass, 45 x 35cm 50-70
112.    Vernon Stokes (1873-1954), two spaniels and birds, hand coloured etching, signed in pencil and Numbered 16/75, framed under glass, 32 x 27cm 50-70
113.    Catriona McMann, pencil, pastel and watercolour of star gazer lilies, signed in pencil and dated 1997, framed under glass, 27 x 28.5cm 120-150
114.    Anne Mendelow (SCOTTISH CONTEMPORARY b 1947), 'Viridian Green'. oil on canvas, signed, framed under glass with a Braemar Gallery label verso, 19 x 24cm 200-300
115.    Perpetua Pope (SCOTTISH 1916-2013), 'Snow, Barra', oil on board, signed, framed, 35 x 24cm 200-400
116.    Alan R. Anderson, DA MCSD FRSA (SCOTTISH b 1940), 'Ardchattan Church - Loch Etive', oil on board, signed with initials, framed, 28 x 17cm 120-150
117.    Perpetua Pope (SCOTTISH 1916-2013), 'Inlet, Barra', oil on canvas board, signed, framed under glass, 19 x 24cm 200-300
118.    Perpetua Pope (SCOTTISH 1916-2013), 'Cornfields, Stenton', oil on board, signed, framed, 24 x 19cm 200-300
119.    Enid Foote Watts, (SCOTTISH 1924 - 2003) 'Ready for Harvest', oil on board, signed and dated '98, framed under glass, 13.5 x 13.5cm 120-150
120.    Enid Foote Watts, (SCOTTISH 1924 - 2003) 'Summer Day', oil on board, signed and dated '99, framed under glass, 13.5 x 13.5cm
120-150
121.    Pair of continental school coloured mezzo tints, framed under glass, largest 14 x 18cm (2) 30-40
122.    Barbara Robertson (SCOTTISH, 1946-2018), 'Getting the Bird', coloured print, signed in pencil and dated 98, numbered 7/16, framed under glass, 19 x 23cm 30-40
123.    Barbara Robertson (SCOTTISH, 1946-2018), 'Plants up Shokem', coloured print, signed in pencil and dated '74, numbered 13/20, 34 x 63cm 30-50
124.    Contemporary School 'Malmouche Interior', mixed media, signed indistinctly, framed under glass, 31 x 44cm 40-60
125.    Contemporary School 'The Blue Cupboard, mixed media, signed indistinctly, framed under glass, 30 x 42cm 40-60
126.    Francesco Coleman (Italian, 1851-1918) head and shoulders watercolour of an elderly man, signed, in an framed under glass within an ornate giltwood frame, 30 x 41cm 200-300
127.    Sam Bough RSA RSW (Scottish 1822-1878), 'Kirkwall', watercolour, entitled and with a label verso, framed under glass, 36 x 25cm 500-700
128.    Two early 20th century head and shoulder portrait drawings of a young girl, signed indistinctly and framed under glass, one dated 1936, largest 36 x 50cm 30-40
129.    W. Proudfoot, watercolour of the bridge over the River Tay in Perth, signed and framed under glass, 54 x 38cm 50-70
130.    Bob Wandesforde, 'Room for One More', watercolour, signed and dated 1988, framed under glass, 45 x 67 130-150
131.    19th Century School, watercolour of ships moored at sunset, apparently unsigned, in a glazed frame, 44 x 18cm 80-120
132.    Two 19th century drawings to include a mother and child and two children with a dog, likely School, largest 26 x 35cm (2) 60-80
133.    Philippa Tunstill (b.1945 ) mist on the coast, oil on canvas, signed verso and dated May 1975, 46 x 46cm 60-80
134.    William Anslow Thornley (1857 - 1898), oil on canvas of ships under a moonlight sky, signed bottom right, framed under glass within an ornate giltwood frame, 44 x 24cm 600-800
135.    Continental School chalk drawing of a young woman, circa 1900, apparently unsigned, framed under glass, 33 x 46cm 80-120
136.    Chalk drawing of a female nude, circa mid 20th century, apparently unsigned, framed under glass, 25 x 35cm 60-80
137.    W. L Wylie (1851 - 1931), etching of a scene on the Thames, signed in pencil and framed under glass, 40 x 28cm 80-120
138.    Anthony Eyton RA, (b.1923) pastel drawing of figures on a beach, signed bottom right and framed under glass, 34 x 40cm 80-120
139.    Eugene Bejot (1867 - 1931), Montmartre, Paris, etching of the famous windmill, signed in pencil and dated 1913, 26 x 20cm, together with Harold Storey (1888 - 1965) etching of Gourock from Ashton, signed in pencil (2) 60-80
140.    Attributed to William James Muller (1812 - 1845), Moonlight on a river with figures, with a gallery label verso, 100-150
141.    James Heron (SCOTTISH 1873-1919), companion pair of Edinburgh Close watercolours, signed and framed under glass within silver gilt frames, 28 x 38cm (2) 80-120
142.    D.Y Cameron (1865 - 1945) 'The Old Revenge', etching, signed in pencil bottom right - this is the rarer & larger version, together with two others - 'Amboise' and 'Arran' (3) 80-120
143.    Ling (Kam Cheong, 1911-1991), A view of Hong Kong Island from the sea, watercolour, signed, framed under glass, 67 x 33cm 500-700
144.    William Miller, (exhibited Glasgow 1880 - 1932) oil on canvas of a bend in the river, signed bottom left and dated 1921, 34 x 17cm 60-80
145.    Perpetua Pope, (SCOTTISH 1916-2013), 'Bracken', oil on canvas, signed, framed, 75 x 50cm 500-700
146.    Perpetua Pope, (SCOTTISH 1916-2013), butterfly orchids, oil on canvas, signed, framed under glass, 49 x 39cm 300-400
147.    Perpetua Pope, (SCOTTISH 1916-2013), still life vase of flowers, oil on canvas, signed, framed, 50 x 60cm 500-700
148.    Deborah Dewar (Scottish b.1941), 'Khoubba and the Striped Rug', an oil on board, signed, framed with an Open Eye Gallery label verso, 60 x 50cm 300-500
149.    Jeanette Lassen (SCOTTISH 1924-2008), 'autumn', oil on canvas, signed and inscribed verso, framed, 70 x 75cm 200-400
150.    Edward Hasell McCosh, (b.1949) , large oil on canvas of ducks and other birds, signed, framed in an ornate gilt frame, 110 x 86cm 150-250
151.    Set of nine coloured prints to include A Prince of the Royal Blood, A Knight Grand Cross and A Knight of the Garter, all in glazed frames, approx 38 x 48cm (9) 80-120
152.    Chinese scroll painting of a mountainous landscape, with character marks, overall length 180cm 60-80
153.    Wang Zhen (1867 - 1938), a Chinese scroll painting of blossom and flowers, 130 x 65cm
600-800
154.    A group of four 20th century oil on canvas portraits, all on stretchers but unframed, unsigned, largest 40 x 50cm (4) 50-70
155.    J. de Caynoth Ballardie, a companion pair of early 20th century Cathedral Interior watercolours, signed, framed under g;ass in ornate giltwood frames, 23 x 31cm (2) 100-150
156.    Indian School gouache, 22 x 15cm, together with a group of eight Indian School coloured prints, all in glazed frames (9) 50-70
157.    A carton containing a quantity of unframed artwork to include 'On Guard' by Charles Alphonse Goldie, (fl 1858 - 1912) (a lot) ` 50-70
158.    A carton containing a collection of 20th century artwork, all unframed, (a lot) 50-70
159.    Three 20th century oil on board portraits, all unsigned, framed, largest 37 x 43cm (3) 50-70
160.    After William Collins, 'Happy as a King', oil on canvas, in an on ornate giltwood frame, 90 x 70cm
100-150